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He wasn’t smarter than the crew, he was cunning, he was the leader, and he had a big enough personality to have others believe in him. And Kirk got away with all of it, because for all that, he remained grounded. All that swagger and ego, the overacting – that was all Shatner, yet it was also Kirk, a grandstanding jock who was naturally the Top Dog, The Big Cheese, Numero Uno Honcho … The Head Cheese, all of that.
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Kirk is one character where you cannot easily separate the role from the actor. Pine, however, had a different job to do, but hasn’t done it well. While the chemistry between Karl Urban’s McCoy and Zachary Quinto’s Spock feels forced, they do well in their roles without becoming weak copies of the original characters. Pin is the weakest of the bunch, I think. I’m not tied to actors playing characters, I’m tied to characters, and for the most part, I didn’t feel Pine, Quinto, Urban and co did anything to the characters I’d consider blasphemy. I don’t have any such issues with this, and it isn’t one of my big straws that broke the reboot’s back. I wondered if, four years earlier, he was similarly outraged that not only was Trek being rebooted, it was being rebooted with other actors playing the iconic roles from the original series. This guy could not believe that Abrams had dared to violate the unspoken prime directive that exists within the mind of the fanboy (or girl). During the reveal, an older guy in the audience – and I mean older, late 50s, early 60s – uttered a howl of contempt and was rightly pilloried by nearby audience members. I went in figuring Cumberbatch was the new Khan, but apparently not everyone did. Into Darkness was more or less the shoehorning of Wrath of Khan into the new Trek alternate universe – not exactly a remake, but a “reimagining”. A brief example of this: Benedict Cumberbatch’s ( The Imitation Game) role wasn’t much of a secret, but neither was it fully revealed in the trailers. I don’t however, suffer from the obsessive love of Trek many fans do, or that slavish devotion to it. I don’t feel the need to explain why I didn’t think much of 2009’s Star Trek, or 2013’s Star Trek: Into Darkness, because I have the same issues with those that I do for this year’s Star Trek Beyond. And while CBS is about to launch yet another new series in 2017, fans of Trek are currently making do with this newfangled reboot, which I’m not a fan of. I suppose that isn’t too far off the mark, considering many of these writers were fans of the original show. I’ve greatly enjoyed some of the movies ( The Motion Picture The Wrath of Khan, First Contact) and some episodes of TNG were terrific, but the rest of it just comes off as bad fan fiction. Up through various other versions – the animated series, the movies, The Next Generation, Deep Space 9, Voyager, Enterprise, and now the JJ Abrams ( Star Wars: The Force Awakens) reboot – my interest has been mostly watered down. I remain a fan of the original Star Trek despite all of that, and I can still watch the series even now and get pleasure from it – sure, it may be no more than nostalgia these days, but my love for the show endures. It’s the easiest thing in the world for anyone to look back at old media and criticize poor writing and cheap production values, but without understanding historical context there’s no value there. I loved this show, and a big part of me still does. It’s the earliest memory of TV I can recall, and according to the dedicated Star Trek wiki, Memory Alpha, I likely caught it in the final season of its first run on the BBC (September – December 1971). I’m talking about the various TV incarnations and the current reboot, just to be clear. To qualify everything that comes next: while I’m a Star Trek fan, there’s a lot about Trek I cannot stand.